Got a check from X-Ray Dog today: this is a music library company I did some music for with my friend Jono Brown years ago. I have 50% writer credit on 2 tunes called “Into The Abyss” and “Pinche Rey”, and 33% on a third, “Jono Cubano” which we did with Chris Smith. The amazing thing is, on this statement alone, there use reported from: France, Germany, Russia, the UK, Ukraine, South Africa, and Mexico! Maybe even more amazing: my total share of the royalties for all of 2012 plus half of 2013 comes to $40. Mind you, these are not single uses per country, we’re talking a 4 page legal size statement. I’m not complaining, it’s free money, but it still seems a little silly, doesn’t it?
On a conceptual level, it’s very interesting, wild to think that evidence of my existence is found all over the world. When I put out my first solo CD, I got orders from as far as Thailand and Japan, and there are now copies in Turkey, Brazil, all over Europe, Mexico. Between my two solos CDs I’ve probably just about made back my investment, but I’ve created something that will outlast me and that’s exciting! I’ve always been more interested in the art of music, than the commerce, so to me this is great success. I still believe in the compositions, they are not burdened by stylistic restrictions which limit their lifespan, at least I hope they’re not.
The beautiful thing is that the systems for residual payments will only get more and more automated so with proper labeling, royalties should continue to come in. With the continuing homogenization of music increasing, the call for truly original content is getting louder, and not just around here, the most unoriginal big city in the world. I think we will witness a resurgence of art of great proportions soon….
